Saturday, April 28, 2018

Sunday, April 22, 2018

haiku day announcement 

OK, Earth Day and birthday are gone, haiku day five days past, and still no e pluribus haiku. You deserve an explanation. Here it is.

I got to about 975, which is pretty good for a single year; I had really hustled, and written as many as five, six a day. But suddenly, right around the time my dad died, I got obsessed with the Puritan Leveretts, absolutely obsessed. Turns out they were pretty wild characters, with all kinds of surprises in there. The guy I was named after signed the document that started the first American public school. His son was the first student. That son became governor, and was the first important colonial to flip off the crown. He literally told them that their instruction was of no consequence to him; he even refused to take his hat off in the process, which was a quakerly kind of thing to do, but very symbolic in the sense that he really didn't care for the crown as he saw it, and let it be known very clearly.

so he kind of told them to shove it you know where, and they came back and revoked the charter of the Massachusetts Bay Colony, and a whole chain of events was set off from there.

But there's more. A simmering brewing feud between the Leveretts and Cotton Mather came to a head around the time of the witch trials. Poor Cotton got tarred by his involvement in those witch trials. But what he wanted was the presidency of Harvard, and he didn't get it; John Leverett did. By now we're down to the fourth generation, not our ancestor, but nevertheless, this guy, by his opposition to Cotton Mather, established liberal education as we know it in the USA.

SO all the time I'm reading this stuff, and I can't write a single haiku. Zip. Now I've reached the point where I can sit down and just write a few, but all of a sudden, writer's block. Nothing.

So I roll with the punches. It's the pressure, really, that I put myself under. But once Haiku Day, Apr. 17, my self-imposed deadline, passed, and I got back on the crank. Here I am today at about 997, and a little editing to do, have to get the redundancies out of there. Which I will do.

Keep your eyes out. After that, it's the novel.

Saturday, December 30, 2017

e pluribus haiku the novel 

OK here's the plan. I've been writing about a thousand a year, three or four a day. I now have a few thousand, from all fifty states and the district, and what they do is make a background. It's very visual, physical, organized by seasons. So, you start out in Alabama and go summer, fall, winter, spring, and then you go to Alaska, that is, until or unless I organize it some other way.

So here's the question: is it possible to superimpose a novel onto this background? A novel, it would be, with a main character, a love interest, a plot, an ongoing story of some kind? Of course it would be possible, and, such a thing could fit into a single book with, say, five thousand. I've begun plotting it out already.

e pluribus haiku 2018, which will have this year's thousand, is already in the works. With all the other crazy stuff in my life - dad in hospice, wife in repair from knee surgery, four kids, uncertain job picture (though I'm technically a sub in the Alamogordo schools) - the one thing I stick with is my haiku; I've been able to write four a night. Last night, for example, it was South Dakota. I write & publish and I try to keep them coming. I have been developing an obsession with Warhol (see picture above) though I've let go of the idea of actually making money. Money schmoney. When it's all over, the money will be gone, but there will still be 5-7-5, all over the place.

Thursday, June 08, 2017

haiku & kindle 

I like haiku, you write a thousand of them in a year; they must be doing something for you. You write poetry for yourself though. I can't see doing my best on a single poem and then hoping people read it seriously and give me feedback. I've tried that kind of poetry before, and found I didn't have the patience or the social sensibility to carry it all the way through.

But I care passionately about what I write, and I care passionately that it doesn't always appear in Kindle as a single block of three lines, with no caps, and some punctuation but not much. I want it to look a certain way. I want the reader to see the three lines together.

Kindle is relatively new, and when they set it up, they didn't know how to give the authors control. A lot of them, like me, came straight over from CreateSpace, exhausted from setting up our own book, with formatting requirements, on Createspace, and they say, you want it on Kindle? and I say yes and upload my file and they say, oh we don't like pdf, so I go back and give them a word file. But for a long time they didn't show me what the readers saw. So if my page broke at 58 lines and theirs broke at 20, they would just cut, and I was none the wiser. Now they let me preview it before I tuck it back in. And lo and behold, all my kindle books are skewed. They have spaces where there shouldn't be spaces, and they have haiku, ingloriously split with two lines on one page, one on the next.

I'm going back and changing them all, by golly, one at a time. I have 2017, which just came out; it looks good. I just finished 2016; it took about half an hour now that I know what I'm doing. I'm going to make sure Kindle customers get a good haiku experience.

Actually the haiku are like the books: people who actually read them, really like them. As I've said before, only one out of a hundred or two hundred people will even read a poem, once they get out of high school, and even fewer actually do the mental preparation necessary to really appreciate them. I'm speaking to a very limited crowd here.

But I don't care about that either. One of my goals is to become like the Warhol of haiku. Warhol, you remember, was famous for being ubiquitous; for becoming the bellwether of the art world (his work sets the standard for other work that compares to it), and for being bold, in your face, strong, yet still interpretable. What does the Marilyns painting really mean? I doubt more than one in ten people could give you a reasonable explanation, and the three or four good ones you'd get would be all different (assuming, of course, that you asked about a hundred). Yet it's the most recognizable painting of the 20th century; everyone's seen it. Everyone knows it.

I can't imagine haiku could ever be like that - people care way more about art than about haiku - but, there is a 5-7-5 culture out there. There are people who like 5-7-5 - and, in spite of being Japanese, our own 5-7-5 is uniquely ours, since our language is so unique and different from Japanese. I've found a home in 5-7-5, and I'm incredibly free to express myself. Suddenly, quickly, intensely - kind of like pop art. My first problem was getting a thousand, and making them unique, and getting them to tell a single story. Now, I'm not bound to the seventies for the next one - I'm going Warhol a little, freeing myself up, but sticking to the conventions of haiku, at least some of the basic ones, the ones that serve me. I have no problem with the season clues; I'm getting better at it. I have rules and am sticking to them the best I can.

I'm going to be all over kindle with haiku. People will be able to read the good ones, if they want. Starting now (it's the season for e pluribus, since we're running right up on the fourth) - the best of the e pluribus series, namely the last three years, will be in cycle, free on kindle, at one time or another. I'll keep revolving them around - why not? one wants people to read it. if it's free, people will find it.

but it has to look good. That's my first requirement.

e pluribus haiku 2017 

a thousand original haiku

Available at Amazon $6.29 + shipping
Available at the Createspace Store $6.29 + shipping
Available on Kindle $3.59

Wednesday, June 07, 2017

e pluribus haiku 2017 

e pluribus haiku 2017 is finished, ready, in print. It is on Amazon already, and is on its way on Kindle. I am exhausted after writing 1000 original haiku; it took me more than the year I'd planned, almost fourteen months. I was tired of being stuck in 1974, to the requirements I'd set for myself, in order to make it true to the trip. It was not, of course, entirely true to the trip, since I only hit 48 states, and hit some of them only at night, not to mention only in one season. I had to fill in the gaps with more recent experience, and physical knowledge that in some cases, I got from the internet. I use this site to talk honestly about my poetry, so that's what I'll do here. I'll use this somewhat crude, but personal, promo poster, then when the real thing comes out (above), I'll do a better job of actually promoting it.

To tell the truth, promoting it is sort of wearing on me. It doesn't sell like hotcakes. I do it entirely for my own personal expression. Next year, I'm going to weave in Trump (and the modern political condition) and Warhol - I'm kind of obsessed with Warhol, and want to do some research on him anyway. It will be more free of time constraints, and won't be bound to where I was in 1974. But I'll be lucky if I get a thousand in a year; it's already June 7, and it took me fourteen months to get a thousand last time.

I go through times when I'm weary, like now. I just put it down and work on my stories. Yet I think it's one thing that makes me unique, being the warhol of haiku (this is actually my goal - be ubiquitous, have six minutes of fame, and be able to say, "I am what I appear, I'm not hiding anything"....). It's a kind of unique niche in the modern world. But I've been reading about Jack London lately, and I don't really have the impulse to capitalize on the Yukon, train-hopping image that he did. I did that too; that's why I like him, but being trapped in that kind of image (in the public's mind), is not necessarily good for me, or even necessary.

e pluribus haiku 2017 is coming. It is the best I can do, and it has a thousand, best that I know. I have my own unique style, you have to grant me that. I hope you enjoy it. It is my own tribute to my own native country, which I still love, in spite of everything.

Friday, December 30, 2016

Boxcars on Walnut 

Now available on Amazon $5.38 + shipping
Coming on Kindle $.99 (soon) as well

Thursday, December 22, 2016

A Dozen Crime Stories 

Now available on audiobook!

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